CURRICULUM VITAE

He has been nominated to the Ariel by the Mexican Film Academy and received the .... Selected (”Long is the Way to Heaven”) with other 26 films to represent.
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CURRICULUM VITAE José Ángel García Moreno 8126 Fordham Road, Los Angeles, California, 90045, USA [email protected] José (1961) was born in Mexico City. He studied at the world renowned film school in Prague, FAMU (Filmová a Televizní Fakulta Akademie Múzickych Umení v Praze) and worked as an apprentice at the prestigious Studios Bratri V Triku where he directed his first professional film under the historical Czech brand Brothers in Trick, founded by Jiri Trnka. He continued his education with a Fulbright Scholarship at the Animation Workshop in the School of Film and TV, UCLA. His work has been exhibited and awarded in film festivals around the world: Annecy, Anima Mundi, Clairmont-Ferrand, Guadalajara, Cannes, and others. He has received prizes at La Habana, Toronto, San Francisco, Mexico, Montreal and Japan. He has been nominated to the Ariel by the Mexican Film Academy and received the prestigious MacArthur Foundation Grant. His animated work is part of the collections of the Colombian National Library, Luis Arango, and of the Federal German Film Catalog (Katalog Der Filmsammlung / Erwerbungen 20062011. Ibero-Amerikanisches Institut. Preubisicher Kulturbesitz, Ein einzigartiger Fundus fur grundliche Studient des lateinamerikanischen Kino). He was named in 2010 as one of the "Academic Leaders of the World” by the Instituto Tecnológico de Estudios Superiores, Monterrey (ITESM) where he coproduced four student short films on the theme of slavery and human trafficking with the support of CAST (Coalition for the Abolition of Slavery and Human Trafficking). In 2012, he was appointed by the new President of Loyola Marymount University as part Strategic Planning Committee and also as chair of the Strategic Committee for Internationalization. He has also served as chair of the Animation Department at Loyola Marymount University. He has been a fellow and a jury for Mexican National Endowment for the Arts (FONCA/CONACULTA) and also for the McLaren-Lambart Award. The National University of México (UNAM) published in 2013 his observations on narrative techniques and visual storytelling. His animated films are part of the collections of the Colombian National Library, Luis Arango, and the Federal German Film Catalogue. Also, his body of work has an entry in the influential book "Animation, A World History" by Giannalberto Bendazzi.

EDUCATION • 2001. Masters in Fine Arts (MFA in Animation). Animation Workshop. School of Film and Television, University of California at Los Angeles (UCLA), USA. • 1987-1991. Professional internship at the Bratri V Triku Studios, TRNKA Studios, Kratky Film, Barrandov and Film Certificate by FAMU (Filmová a Televizní Fakulta

Akademie Múzickych Umení v Praze /Film and TV School of the Academy of Performing Arts in Prague), Czechoslovakia. • 1980-1985. Bachelor´s Degree (BA) in Communication Arts. Universidad Iberoamericana. México. • 1983. Certificat de la Langue et Culture Francaise. Université de la Sorbonne. Paris, France.



AWARDS, CONFERENCES, SCREENINGS AND HONORS • 2016. Conference Presenter. “The Non-Urgency of Time in Animation”. International Society for the Study of Time (ISST). University of Edinburgh. Scotland, United Kingdom. • 2015. Conference Speaker. “A Curricular Innovation that Redefined LMU Animation”. 2105 Animation Educators Forum, ASIFA (Association International du Film d´Animation). Animation Education: Six Effective Strategies. USA. • 2014. Jury. International day of Animation/Día Internacional de la Animación, 2014. Universidad Nacional Autónoma de México, Radio UNAM, Facultad de Artes y Diseño, Academia de San Carlos. México. • 2014. Conference Speaker. “Repensar la Animación o Cómo Saltar de un Vehículo en Movimiento”. International day of Animation/Día Internacional de la Animación, 2014. Universidad Nacional Autónoma de México, Radio UNAM, Facultad de Artes y Diseño, Academia de San Carlos. México. • 2014. Book presentation. "Animando al Dibujo. Del Guión a la Pantalla" (Animated Drawing. From Script to Screen). XXXV Feria Internacional del Libro del Palacio de Minería (FILPM). (35th International Book Fair, Palacio de Minería.) • 2014. Book presentation. "Animando al Dibujo. Del Guión a la Pantalla" (Animated Drawing. From Script to Screen), Escuela de Humanidades y Ciencias Sociales at the Instituto Tecnológico de Estudios Superiores de Monterrey (ITESM). • 2014. Conference Key Speaker. PACT Conference (Pacific Association for the Continental Tradition). “Rethinking Animation or How to Jump Out of a Vehicle in Movement”. Response by Prof. Brad Stone. Loyola Marymount University, Los Angeles. • 2014. Film Screening. "Largo es el Camino al Cielo", in Festival de Animación Mexicana (Festival of Mexican Animation) at Cine Lido, Centro Cultural Bella Época. Fondo de Cultura Económica, Mexico. • 2012. Official Short Film Acquisition by the Katalog Der Filmsammlung / Erwerbungen 20062011. Ibero-Amerikanisches Institut. Preubisicher Kulturbesitz, Ein einzigartiger Fundus fur grundliche Studient des lateinamerikanischen Kino (Extraordinary fund for exhaustive studies of Latin American Cinema). “Largo es el Camino al Cielo”. Germany. • 2012. Official Program Selection. Spaniches Film-und Kulturfestival, Regensburg, “Zapping Animation”. Germany. • 2011. Jury, McLaren-Lambart Award. Society of Animation Studies. Los Angeles, California. USA. • 2011. Conference Speaker. Día Mundial de la Animación (International Animation Day). “El Secreto Mejor Guardado” (The Best Kept Secret”). Universidad Nacional Autónoma de México (UNAM) / Escuela Nacional de Artes Plásticas. México. • 2011. Conference Speaker. Les Rencontres Sous la Tente, (Rencontres Internationales desÉcoles de Cinéma) Second International Film Schools Festival,

Ourzazate, Morocco. (“The Importance of Facial Expressions for Animation Performance”). Institut Spécialisé dans les Métiers du Cinéma, Vivendi, and France Volontaires. Morocco. • 2010. International Academic Leader. Insituto Mexicano de Estudios Superiores de Monterrey (ITESM), Campus Guadalajara. Animation Production Project: Production of 4 short animated films (Sex Trafficking, Agricultural Servitude, Domestic Servitude, and Child Slavery). In coproduction with CAST (Coalition for the Abolition of Slavery and Human Trafficking) and the Insitituto de Estudios Superiores de Monterrey (ITESM), campus Guadalajara. México-USA. • 2009. Speaker at the V Symposium El Arte y el Diseño. Producto de la Investigación Creativa (Art and Design, Product of Creative Research). Programa de Posgrado en Artes Visuales de la Universidad Autónoma de México. • 2009. Speaker at the Segunda Feria del Libro de Arte y Diseño (Art and Design Book Festival). “Mnemonics and Animation”.Escuela Nacional de Artes Plásticas, Academia de San Carlos, Xochimilco, México. • 2009. Keynote Speaker for the Cátedra Alfonso Reyes del Instituto de Estudios Superiores Tecnológico de Monterrey (ITESM) during the XIX Feria Internacional del Libro de Monterrey (Monterrey International Book Festival). • 2008. Official Selection/ Retrospective. Animadrid 2008, International Animation Film Festival. Mexican Animation Retrospective. (“Open on Sundays, Largo es el Camino al Cielo, Catrina Posada y la Gran Piedra”). Madrid, Spain. • 2008. Selected (”Long is the Way to Heaven”) with other 26 films to represent Mexican Cinema at the Virtual Library Official Catalogue BLAA Digital, (National Public Library) Biblioteca Luis Angel Arango, Colombia. • 2008. Short Film Corner Competition Selection, Festival de Cannes, France. “Dreams of War”. • 2007. Faculty Production Grant. “The Second World War or the Almost Happiest Memories of my Peaceful Childhood”, Loyola Marymount University, Los Angeles, California, USA. • 2006. Winner First Prize. Best Stop Motion Animated Film, Creanimax Animation Festival, “Catrina Posada y la Gran Piedra”, Guadalajara, Mexico. • 2006. Exhibition of Short Films at the Museo de Arte Latinoamericano de Buenos Aires, Argentina • 2005. Technological Grant, “Implementation of a Chrono-Photography Lab”. Loyola Marymount University. Los Angeles, Calif., USA. • 2004. Faculty Summer Research Grant, “Lost Kafka”. Loyola Marymount University. Los Angeles, Calif., USA. • 2002. Jury. National Endowment for the Arts. (Consejo Nacional para la Cultura y las Artes/ National Endowment for the Arts). México. • 2001. Official Selection in Competition. World Animation Celebration. Los Angeles, CA. "Catrina Posada and the Big Stone (Catrina Posada y la Gran Piedra"). USA. • 2001. Official Selection in Competition. Anima Mundi 2001. Rio de Janeiro/Sao Paulo, Brasil. "Catrina Posada and the Big Stone (Catrina Posada y la Gran Piedra"). • 2001. Clifton Webb Fund Award. University of California, Los Angeles (UCLA), USA. • 2000. Winner. Grant of The National Endowment for the Arts (FONCA/CONACULTA). México. • 2000. Official Selection. Festival International du film d´animation, Annecy ."Cocktail Molotov". France. • 2000. Official Selection. International Short Film Festival, ClermontFerrand.."Cocktail Molotov". France.

• 2000. Official Selection Muestra de Cine Mexicano de Guadalajara. "Cocktail Molotov". • 1999. Official Program. 4éme Festival de Film Francaise , Acapulco. UNIFRANCE. México. "Cocktail Molotov". México. • 1999. Special Jury Award at the Festival Internacional de Cine de la Ciudad de México. "Cocktail Molotov". México. • 1999. Official Nomination to the Ariel (Mexican Academy of Motion Picture Arts and Sciences) for Best Animated Short Film: "Largo es el Camino al Cielo" ("Long Is the Way to Heaven"). • 1999. Official Program. 19 Foro Internacional de la Cineteca Nacional, México. "Cocktail Molotov" • 1999.Official Program in Competition. 7o. Festival Internacional de Animaçao do Brasil. Anima Mundi, Rio de Janeiro. "Long Is the Way to Heaven". Brasil • 1999. Film Award. Sao Paulo International Short Film Festival. Sao Paulo. "Long Is the Way to Heaven". Brasil. • 1999. Official Selection. San Diego Latino Film Festival. San Diego, California. "Long Is the Way to Heaven". USA • 1999. Film Award. XIV Festival de Cine Latinoamericano. Trieste. "Long Is the Way to Heaven". Italy. • 1999. Film Award. International Film Festival. Tokyo. "Long Is the Way to Heaven". Japan • 1999. Film Award. Festival Internacional de Cinema del Medi Ambient, Gava, Barcelona. "Long Is the Way to Heaven". Spain. • 1999. First Prize of the National Endowment for the Production of Cultural TV. Animated short film: "Catrina Posada y la Gran Piedra" ("Catrina Posada and the Big Stone"), John D. and Catherine T. MacArthur Foundation Grant, Fondo Nacional para la Cultura y las Artes, CONACULTA, Instituto Latinoamericano de Comunicación Educativa, Virgin Television and Canal 22 TV. México. • 1999. BDA International Design Award (Broadcast Desginers Association,BDAPROMAX). "Carteleras Pintores. Canal Once TV." San Francisco, California, USA. • 1998. Segundo Coral de Animación. "Long Is the Way to Heaven". Festival Internacional del Nuevo Cine Latinoamericano de La Habana, Cuba. • 1998. BDA International Design Award (Broadcast Desginers Association,BDAPROMAX). "Cartelera Canal Once TV". Toronto, Canada. • 1998. Official Film Program XXI Muestra Internacional de Cine, México."Long Is the Way to Heaven". • 1998. Official Film Program Muestra de Cine Mexicano de Guadalajara. México. "Long Is the Way to Heaven". • 1997. Winner National Competition for Screenwriting/ Short Films, Consejo Nacional para la Cultura y las Artes (CNCA) y el Instituto Mexicano de Cinematografía (IMCINE). México • 1996. Winner Special Prize National Competition for Screenwriting/ Short Films, del Consejo Nacional para la Cultura y las Artes (CNCA) y el Instituto Mexicano de Cinematografía (IMCINE). México • 1996. Third Place National Competition for Screenwriting/ Short Films, Consejo Nacional para la Cultura y las Artes (CNCA) y el Instituto Mexicano de Cinematografía (IMCINE). México • 1994. Continuing Grant /School of Film and Television, University of California at Los Angeles (UCLA). USA.

• 1993. Fulbright Scholarship. Animation Workshop, School of Film and Television, University of California at Los Angeles (UCLA). USA. • 1990. Official Juried Competition “BBC” (Open on Sundays /V Nedeli Otevreno) en el 43rd Edinburgh International Film Festival, Scotland, United Kingdom. • 1989. Official Juried Competition "Open on Sundays" en el International Film Schools´ Festival, CILECT, Karolvy Vary, Czechoslovakia. • 1986. Official Juried Competition, X Encuentro Nacional de Arte Joven (National Young Artisti’s Encounter) Auditorio Nacional. Instituto Nacional de Bellas Artes (INBA).

PUBLICATIONS • 2016. “Redefiniendo una Escuela de Animación” (Redefining an Animation School). Revista Anual de Investigación, Con A de Animación. Universitat Politècnica de València. Spain. EISSN: 2173-3511 ISSN:2173-6049 • 2013. "Animando al Dibujo. Del Guión a la Pantalla" (Drawing for Animation. From Script to Screen). José García Moreno, Tania de León, et. Al. Escuela Nacional de Artes Plásticas, UNAM. ISBN: 9786070247736 • 2010. “25 Años de Historias Animadas. Cortometrajes de Animación. Edición de Colección. Volumen 1.”, José Ángel García Moreno, et Alt. Mexico: CONACULTA, Instituto Mexicano de Cinematografía, CinemaFilms ISBN: 968-5042-16-0 • 2003. “La Nueva Animación (The New Animation) José Angel García Moreno, in “México, Su Apuesta por la Cultura”: (”Mexico and its Bet on Culture”), Armando Ponce et Alt., México: Editorial Grijalbo, Universidad Autónoma de México (UNAM). ISBN: 970-051648-2 • 1999. “Homenaje al Lápiz (Homage to the Pencil)”, José Luis Cuevas, Carlos Fuentes, José Ángel García Moreno, et. Alt.; Consejo Nacional para la Cultura y las Artes, Instituto Nacional de Bellas Artes, Museo José Luis Cuevas, Italia: Landucci Editores, Milan. ISBN: 970-18-2992-1



PUBLISHED REVIEWS/ INTERVIEWS

• 2014. René Tijerino. “Proyecciones y Exposiciones en el Dia Mundial de la Animación” (“Screenings and Exhibitions at the International Day of Animation”, article at GACETA de la UNAM magazine. Universidad Nacional Autónoma de México. • 2013. Bonnie Boglioli. "Loyola Marymount University's José García-Moreno Discusses Applying Universal Knowledge to Animation" http://www.animationcareerreview.com/articles/loyola-marymount-universitys-jos%C3%A9garc%C3%ADa-moreno-discusses-applying-universal-knowledge-anim

• 2010. The Steed Symposium. New Media. What is the Future? Moderator. Hybrid Filmmaking: The Convergence of Animation and Live Action in a Stereoscopic World. A Case Study: Alice in Wonderland. Panelists: Judith Jecmen (Disney), Marco Marenghi (Sony Imageworks) and Corey Turner (Sony Imageworks). Los Angeles, California. • 2010. Guillermo Arroyo, “Personajes que Motiven”, Rediseño, Marzo 2010, Guadalajara, México.

• 2009. Tania de León, “Un Recorrido por la Animación”, Canal 22 TV Metropolitana, December 7, 2009, Guadalajara, México. • 2006. Le Guide MIFA, Seed: Project by Jose García Moreno, Festival International du Film d´Animation, Annecy, France. • 2005. Maximiliano Maza, “Un Nuevo Siglo del Cine Mexicano”, (’A New Century for Mexican Cinema”): “Largo es el Camino al Cielo, José Angel García Moreno, Cortos del Nuevo Siglo”, Instituto Tecnológico de Estudios Superiores de Monterrey, Mexico. • 2004. Juan Manuel Aurrecoechea, “El Episodio Perdido del Cine Mexicano de Animación, : Los Iberoamericanos”, (The Lost Episode of the Animation Mexican Cinema), EICTV, Mexico. • 2004. Gabriel Ríos, “La Gráfica Popular, el nutriente de la animación contemporánea: José Angel García Moreno”, (Popular Graphic Design as a Source for Contemporary Animation: Jose Angel Garcia Moreno) Conaculta, México. • 2000. Francisco Santiago, “Entre los Mejores del Mundo” (”Between the Best of the World”), A! Diseño, México. • 1999. Carmen Sánchez Dávila, “Cocktail Molotov, Cortometraje de Animación que Alertará a Bebedores”, (”Cocktail Molotov, A Short Film that will Alert Drinkers”) El Sol de México. • 1999. Rafael Aviña, “Promesas y Realidades en breve, Programa de cortometrajes” (”Promises and Short Realities, an Exhibition of Short Films”), Reforma, México. • 1999. Patricia E. Dávalos, “Hacer Cortos También es Hacer Cine: José Angel García” (”Making Shorts is also Making Movies”), Crónica, México. • 1999. Raquel Peguero, “Hablar de mis pesadillas, un rito que me fortalece: José Angel García Moreno” (”Talking about my nightmares is a fortifying ritual: Jose Angel Garcia Moreno”), La Jornada, México. • 1999. Rocío Ramírez, “Cocktail Molotov, mensaje explosivo sobre beber y manejar” (”Cocktail Molotov, an explosive message”), Novedades, México. 1999. Arturo Rodríguez, “Los cortos y los largos, la misma expresión artística: José Angel García Moreno”, (”Short Films and Features are the same artistic expression”) El Universal, México. • 1998. Javier Betancourt, “XXXI Muestra Internacional de Cine Internacional” (”XXXI International Film Showcase”), Proceso, México. • 1998. Verónica Vega, “Cocktail Molotov, corto divertido de interés social” (“Cocktail Molotov, an amusing short with social consciousness”), La Jornada, México.



TEACHING

• 2014. Conference and Master Class. “Storyboard y Narrativa Visual” (Storyboard and Visual Storytelling). Instituto Tecnológico de Estudios Superiores de Monterrey, Campus Ciudad de México. ITESM. • 2013. Summer Animation Workshop Coordinator and Lecturer. Animation Summer Workshop for film students of the Beijing Film Academy. School of Film and Television, Loyola Marymount University, Los Angeles, California. • 2010. Summer Creative Workshop. Animation Production in collaboration with Crenshaw High School, HOLA, Westchester High School and Loyola Marymount University. Fieberg Foundation, Stuart Foundation and the Stuart Family Foundation. Los Angeles, California.

• 2009. Speaker at the Faculty Colloquium, Loyola Marymount University. “The Priests of Chouinard and the Pencils´Tyranny: Historical Reflections on the Creative Process in the Art of Hand Drawn Animation”. Los Angeles, CA. • 2009. Sabbatical at the Instituto Mexicano de Estudios Superiores de Monterrey, Campus Monterrey. Part Time Instructor and Advisor to the Actualización de Planes de Estudio 2011 del Tecnológico de Monterrey (2011 Revision of Curriculum for the Tecnológico de Monterrey). Monterrey, México. • 2008. Animation Lecturer and Instructor. Summer Creative Workshop for underrepresented minorities. Crenshaw High School, Loyola Marymount University, Fieberg Foundation. • 2004. Lecturer. President’s Day. Loyola Marymount University. Lecture: Masks and Archetypes in Contemporary Animation. • 2003-to date. Associate Professor. Animation Department, School of Film and Television, Loyola Marymount University. Classes: Intro to Storyboard, Intro to Animation Production, Intermediate Animation Workshop, History of Animation, Thesis Production. • 2003. Lecturer. Universidad Nacional Autónoma de México. Lecture: Media Production and Animation for Television. • 2001-2003. Part-Time Professor. Insituto Tecnológico de Estudios Superiores de Monterey, Mexico (Campus Ciudad de Mexico) Classes: Intro to Animation Production, History of Animation. • 2001-2002. Part-Time Professor. Universidad Autónoma de Morelos. Classes: Intro to Animation Production. 1999-2001. Lecturer. UNICEF Master Class at Universidad Iberomericana, Mexico. 1995. Part-Time Instructor. Universidad Iberoamericana. Mexico.



LABOUR

• 2003-to date. Associate Professor. School of Film and TV/Animation. Loyola Marymount University Immediate supervisor: Dean Teri Schwartz. • 2009-2013. Chair / Animation Department School of Film and TV/Animation. Loyola Marymount University Immediate supervisor: Dean Teri Schwartz. • 2002-2003 Visting professor. Animation. Instituto de Estudios Superiores de Monterrey (ITESM)/ Universidad Autonoma de Morelos (UAEM) • 2002-2003. Senior Producer. Productora y Comercializadora de Television. Management, Acquisitions, Supervision of Programming and Production of TV Channels. Immediate Supervisor: Eduardo Ricalde, president • 1988 to date. Film and TV Director. Development of concept, screenplay and art direction and animation. Kratky Film, Praha; Corazón de Melón, México; IMCINE, México • 1994 -1999. Animation Chief Producer. Development of concept, screenplay, art direction, animation and postproduction. XEIPN Canal Once TV (TV Channel). México. Immediate supervisor: Daniel Schwebel, Executive Director • 1992-1993. Associate Creative Director. Development of advertising campaign concepts and coordination of copywriting. Portfolio: Mexicana, Aeroméxico, Reckitt and Coleman, Scherring and Plough. Terán-Chiat Day (Advertising Agency). Immediate supervisor: José Alberto Terán, president

• •1990-1991. Senior Manager. Coordination of special events and coverage for radio broadcast. • Núcleo Radio Mil. (Radio Corporation). Inmediate supervisor: María Emilia Farías, vicepresident • 1985-1986. Chief Producer. Radio programming, broadcasting supervision and spots production Opus 94.5 FM (Radio Station). Immediate supervisor Alejandro Rulfo, Managing Director • 1982-1984. Chief Producer. Radio programming, production, live transmission. Rock 101 FM (Radio station). Immediate supervisor Luis Gerardo Salas, Director.



PRODUCTION

• 2013. Animation and Broadcast Design Campaign for the Brain Tumor Center & Pituitary Disorders Program John Wayne Cancer Institute at Saint John's Health Center. Producer: Monster Eye Films • 2012. Zapping Animation. Homage to Emile Reynaud. Mixed media animation. Producers: Carlos Narro, Rodrigo Valenzuela and Tania de Leon. • 2010. Four Short Animated Films on Slavery and Human Trafficking Animation Direction: Jose Garcia-Moreno Production: Coalition for the Abolition of Slavery and Human Trafficking (CAST), Instituto Tecnológico de Estudios Superiores de Monterrey (ITESM) • 2008. Aquarium of Monterey Bay . “Splash Zone” HeadQuarters Advertising and Monster Eye Films Art Direction and Animation Direction: Jose Garcia Moreno Direction: Pavel Cantu and Jose Angel Garcia Moreno • 2008. Independent Production. Dreams of War. Script, Animation and Direction: Jose Garcia Moreno Sound Design: Martina Totzauerova and Jose Garcia Moreno • 2007. (In progress). Independent Production The Second World War or the Almost Happiest Memories of my Peaceful Childhood/ 2D Animation Script and Direction: José Angel García Moreno • 2006. (In progress). Independent Production Semilla (Seed) Animation, Pixilation and Rotoscoping Script and Direction: José Angel García Moreno • 2005. Museo de las Bellas Artes, Compañía Nacional de Ópera, Canal 22 TV Mozart, Opera Concert, Animation Script and Direction: José Angel García Moreno Production: Canal 22 TV Format: Betacam 4 X 30 seconds • 2004. Museo Rufino Tamayo. Animation and digital photography Script and Direction: José Angel García Moreno Production: PCTV, Museo Rufino Tamayo Format: Betacam 1 minute

• 2004. PCTV. Branding Animation. Digital photography and live action Script and Direction: José Angel García Moreno Production: PCTV (Productora y Comercializadora de Televisión) Format: Betacam 10 X 30 seconds • 2003. Cine Mexicano por Cable (CMC). Branding Animation and motion graphics Script and Direction: José Angel García Moreno Production: PCTV Format: Betacam 10 X 30 seconds • 2001. “Catrina Posada and the Big Stone” Stop Motion Animation, 2D digital and 3D Script and Direction: José Angel García Moreno Production: Format: 35mm, Betacam SP, 18 minutes. Animation, digital photography and live action Script and Direction: José Angel García Moreno Production: PCTV Format: Betacam 15 X 30 seconds 2000-2003. Mac Arthur Foundation, FONCA, Conaculta, Canal 22, ILCE, Virgin Television, Walter Lantz Digital Animation Lab, UCLA • 1999. XEIPN Canal Once TV Branding. Animation/Art Direction Script and Direction: José Angel García Moreno Production: Canal Once TV Format: Betacam 12 X 30 seconds • 1998. Cocktail Molotov. Animation: 3D and ink drawings Script and Direction: José Angel García Moreno Production: José Angel García Moreno, IMCINE y Secretaría de Comunicaciones y Transportes Format: Dolby, THX, 35mm, color 3 minute • 1997-1998. XEIPN Canal Once TV Branding. Animation/Art Direction Script and Direction: José Angel García Moreno Production: Canal Once TV Format: Betacam 12 X 30 seconds • 1997-1998. Largo es El Camino al Cielo. Animation: Color pencils Script and Direction: José Angel García Moreno Production: Corazón de Melón, Insituto Mexicano de Cinematografía Format: Dolby, THX, 35mm, color 8 minutes • 1989. V Nedelí Otevreno (Abrimos los Domingos). Animation: Cut-Outs Script and Direction: José Angel García Moreno Production: Jiri Kubicek y Kratky Film, Prague. Format: Dolby, 35mm, black and white 3 minutes